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Your search for 'Popular Culture' in subject found 53 book(s).
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41. cover
Title: The country of memory: remaking the past in late socialist Vietnam online access is available to everyone
Author: Tai, Hue-Tam Ho 1948-
Published: University of California Press,  2001
Subjects: History | Southeast Asia | Film | Gender Studies | Postcolonial Studies | Popular  Culture | Asian History
Publisher's Description: The American experience in the Vietnam War has been the subject of a vast body of scholarly work, yet surprisingly little has been written about how the war is remembered by Vietnamese themselves. The Country of Memory fills this gap in the literature by addressing the subject of history, memory, and commemoration of the Vietnam War in modern day Vietnam. This pathbreaking volume details the nuances, sources, and contradictions in both official and private memory of the War, providing a provocative assessment of social and cultural change in Vietnam since the 1980s. Inspired by the experiences of Vietnamese veterans, artists, authorities, and ordinary peasants, these essays examine a society undergoing a rapid and traumatic shift in politics and economic structure. Each chapter considers specific aspects of Vietnamese culture and society, such as art history, commemorative rituals and literature, gender, and tourism. The contributors call attention to not only the social milieu in which the work of memory takes place, but also the historical context in which different representations of the past are constructed. Drawing from a variety of sources, such as prison memoirs, commemorative shrines, funerary rituals, tourist sites and brochures, advertisements, and films, the authors piece together the disparate representations of the past in Vietnam. With these rare perspectives, The Country of Memory makes an important contribution to debates within postcolonial studies, as well as to the literature on memory, Vietnam, and the Vietnam War.   [brief]
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42. cover
Title: Perfectly Japanese: making families in an era of upheaval
Author: White, Merry I 1941-
Published: University of California Press,  2002
Subjects: Social Science | Japan | Cultural Anthropology | Asian History | Gender Studies | Popular  Culture
Publisher's Description: Are Japanese families in crisis? In this dynamic and substantive study, Merry Isaacs White looks back at two key moments of "family making" in the past hundred years - the Meiji era and postwar period - to see how models for the Japanese family have been constructed. The models had little to do with families of their eras and even less to do with families today, she finds. She vividly portrays the everyday reality of a range of families: young married couples who experience fleeting togetherness until the first child is born; a family separated by job shifts; a family with a grandmother as babysitter; a marriage without children.   [brief]
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43. cover
Title: The trouble with nature: sex in science and popular culture
Author: Lancaster, Roger N
Published: University of California Press,  2003
Subjects: American Studies | Anthropology | Gender Studies | Popular  Culture | GayLesbian and Bisexual Studies | Science | Sociology
Publisher's Description: Roger N. Lancaster provides the definitive rebuttal of evolutionary just-so stories about men, women, and the nature of desire in this spirited exposé of the heterosexual fables that pervade popular culture, from prime-time sitcoms to scientific theories about the so-called gay gene. Lancaster links the recent resurgence of biological explanations for gender norms, sexual desires, and human nature in general with the current pitched battles over sexual politics. Ideas about a "hardwired" and immutable human nature are circulating at a pivotal moment in human history, he argues, one in which dramatic changes in gender roles and an unprecedented normalization of lesbian and gay relationships are challenging received notions and commonly held convictions on every front. The Trouble with Nature takes on major media sources - the New York Times, Newsweek - and widely ballyhooed scientific studies and ideas to show how journalists, scientists, and others invoke the rhetoric of science to support political positions in the absence of any real evidence. Lancaster also provides a novel and dramatic analysis of the social, historical, and political backdrop for changing discourses on "nature," including an incisive critique of the failures of queer theory to understand the social conflicts of the moment. By showing how reductivist explanations for sexual orientation lean on essentialist ideas about gender, Lancaster invites us to think more deeply and creatively about human acts and social relations.   [brief]
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44. cover
Title: Bad girls and sick boys: fantasies in contemporary art and culture
Author: Kauffman, Linda S 1949-
Published: University of California Press,  1998
Subjects: Art | Literature | Cinema and Performance Arts | Popular  Culture | American Studies | Gender Studies
Publisher's Description: Linda S. Kauffman turns the pornography debate on its head with this audacious analysis of recent taboo-shattering fiction, film, and performance art. Investigating the role of fantasy in art, politics, and popular culture, she shows how technological advances in medicine and science (magnetic resonance imaging, computers, and telecommunications) have profoundly altered our concepts of the human body. Cyberspace is producing new forms of identity and subjectivity. The novelists, filmmakers, and performers in Bad Girls and Sick Boys are the interpreters of these brave new worlds, cartographers who are busy mapping the fin-de-millennium environment that already envelops us. Bad Girls and Sick Boys offers a vital and entertaining tour of the current cultural landscape. Kauffman boldly connects the dots between the radical artists who shatter taboos and challenge legal and aesthetic conventions. She links writers like John Hawkes and Robert Coover to Kathy Acker and William Vollmann; filmmakers like Ngozi Onwurah and Isaac Julien to Brian De Palma and Gus Van Sant; and performers like Carolee Schneemann and Annie Sprinkle to the visual arts. Kauffman's lively interviews with J. G. Ballard, David Cronenberg, Bob Flanagan, and Orlan add an extraordinary dimension to her timely and convincing argument.   [brief]
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45. cover
Title: Insider/outsider: American Jews and multiculturalism online access is available to everyone
Author: Biale, David 1949-
Published: University of California Press,  1998
Subjects: Jewish Studies | American Studies | Popular  Culture | Judaism | Gender Studies | United States History | Literature
Publisher's Description: Twelve distinguished historians, political theorists, and literary critics present new perspectives on multiculturalism in this important collection. Central to the essays (all but one is appearing in print for the first time) is the question of how the Jewish experience can challenge the conventional polar opposition between a majority "white monoculture" and a marginalized "minorities of color multiculture." This book takes issue with such a dichotomy by showing how experiences of American Jews can undo conventional categories. Neither a complaint against multiculturalism by Jews who feel excluded from it, nor a celebration of multiculturalism as the solution to contemporary Jewish problems, Insider/Outsider explores how the Jews' anomalous status opens up multicultural history in different and interesting directions. The goal of the editors has been to transcend the notion of "comparative victimology" and to show the value of a narrative that does not rely on competing histories of persecution. Readers can discover in these essays arguments that will broaden their understanding of Jewish identity and multicultural theory and will enliven the contemporary debate about American culture generally.   [brief]
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46. cover
Title: Refried Elvis: the rise of the Mexican counterculture online access is available to everyone
Author: Zolov, Eric
Published: University of California Press,  1999
Subjects: History | Latin American History | Popular  Culture | Chicano Studies | Latin American Studies | Contemporary Music
Publisher's Description: This powerful study shows how America's biggest export, rock and roll, became a major influence in Mexican politics, society, and culture. From the arrival of Elvis in Mexico during the 1950s to the emergence of a full-blown counterculture movement by the late 1960s, Eric Zolov uses rock and roll to illuminate Mexican history through these charged decades and into the 1970s. This fascinating narrative traces the rechanneling of youth energies away from political protest in the wake of the 1968 student movement and into counterculture rebellion, known as La Onda (The Wave). Refried Elvis accounts for the events of 1968 and their aftermath by revealing a mounting crisis of patriarchal values, linked both to the experience of modernization during the 1950s and 1960s and to the limits of cultural nationalism as promoted by a one-party state.Through an engrossing analysis of music and film, as well as fanzines, newspapers, government documents, company reports, and numerous interviews, Zolov shows how rock music culture became a volatile commodity force, whose production and consumption strategies were shaped by intellectuals, state agencies, transnational and local capital, musicians, and fans alike. More than a history of Mexican rock and roll, Zolov's study demonstrates the politicized nature of culture under authoritarianism, and offers a nuanced discussion of the effects of cultural imperialism that deepens our understanding of gender relations, social hierarchies, and the very meanings of national identity in a transnational era.   [brief]
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47. cover
Title: Over the edge: remapping the American West online access is available to everyone
Author: Matsumoto, Valerie J
Published: University of California Press,  1999
Subjects: American Studies | California and the West | Popular  Culture | History | United States History | Californian and Western History | German Studies
Publisher's Description: From the Gold Rush to rush hour, the history of the American West is fraught with diverse, subversive, and at times downright eccentric elements. This provocative volume challenges traditional readings of western history and literature, and redraws the boundaries of the American West with absorbing essays ranging widely on topics from tourism to immigration, from environmental battles to interethnic relations, and from law to film. Taken together, the essays reassess the contributions of a diverse and multicultural America to the West, as they link western issues to global frontiers.Featuring the latest work by some of the best new writers both inside and outside academia, the original essays in Over the Edge confront the traditional field of western American studies with a series of radical, speculative, and sometimes outrageous challenges. The collection reads the West through Ben-Hur and the films of Mae West; revises the western American literary canon to include the works of African American and Mexican American writers; examines the implications of miscegenation law and American Indian blood quantum requirements; and brings attention to the historical participation of Mexican and Japanese American women, Native American slaves, and Alaskan cannery workers in community life.   [brief]
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48. cover
Title: Fast food, fast talk: service work and the routinization of everyday life
Author: Leidner, Robin
Published: University of California Press,  1993
Subjects: Sociology | Technology and Society | Economics and Business | Gender Studies | Popular  Culture | Food and Cooking
Publisher's Description: Attending Hamburger University, Robin Leidner observes how McDonald's trains the managers of its fast-food restaurants to standardize every aspect of service and product. Learning how to sell life insurance at a large midwestern firm, she is coached on exactly what to say, how to stand, when to make eye contact, and how to build up Positive Mental Attitude by chanting "I feel happy! I feel terrific!"Leidner's fascinating report from the frontlines of two major American corporations uncovers the methods and consequences of regulating workers' language, looks, attitudes, ideas, and demeanor. Her study reveals the complex and often unexpected results that come with the routinization of service work.Some McDonald's workers resent the constraints of prescribed uniforms and rigid scripts, while others appreciate how routines simplify their jobs and give them psychological protection against unpleasant customers. Combined Insurance goes further than McDonald's in attempting to standardize the workers' very selves, instilling in them adroit maneuvers to overcome customer resistance.The routinization of service work has both poignant and preposterous consequences. It tends to undermine shared understandings about individuality and social obligations, sharpening the tension between the belief in personal autonomy and the domination of a powerful corporate culture.Richly anecdotal and accessibly written, Leidner's book charts new territory in the sociology of work. With service sector work becoming increasingly important in American business, her timely study is particularly welcome.   [brief]
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49. cover
Title: I heard it through the grapevine: rumor in African-American culture
Author: Turner, Patricia 1955-
Published: University of California Press,  1993
Subjects: Ethnic Studies | Sociology | African American Studies | Anthropology | American Studies | Folklore and Mythology | Popular  Culture
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50. cover
Title: Sentimental men: masculinity and the politics of affect in American culture
Author: Chapman, Mary 1962-
Published: University of California Press,  1999
Subjects: Literature | American Literature | Popular  Culture | History | Men and Masculinity | United States History | Art History | American Studies
Publisher's Description: The essays in this volume analyze a wide variety of cultural forms to demonstrate the centrality of masculine sentiment in American literary and cultural history from the early republic to the progressive era. Challenging the association of sentimentality exclusively with femininity in studies of American culture, the contributors analyze sentimentalism not just as a literary genre but as a structure of feeling manifested in many areas: temperance testimonials, begging letters, historiography, philanthropic performance, photography, portraiture, and poetry. Essays from a variety of disciplines - American studies, literature, history, art, gender studies - deconstruct the alignment of reason, commerce, and the public sphere with men, and feelings, domesticity, and the private sphere with women.   [brief]
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51. cover
Title: Epic encounters: culture, media, and U.S. interests in the Middle East, 1945-2000
Author: McAlister, Melani 1962-
Published: University of California Press,  2001
Subjects: American Studies | United States History | Middle Eastern History | Popular  Culture | Middle Eastern Studies | Ethnic Studies | Religion
Publisher's Description: In the last half of the twentieth century, cultural products--from films and news reports to museum exhibits and novels--profoundly shaped ideas about the relationship between Americans and the Middle East. In this innovative book, Melani McAlister explores the cultural history of political interests, arguing that U.S. encounters with the Middle East were influenced by both the presence of oil and the religious symbolism of the region. McAlister's richly textured study shows how culture functions as a social and historical force in shaping politics and identity. She skillfully weaves lively and accessible readings of popular culture with a rigorous analysis of U.S. foreign policy and the domestic politics of race. McAlister begins by situating the postwar development of U.S.-Middle East relations, including the rise of anticolonialism and the establishment of the state of Israel. Subsequent chapters consider specific events and cultural texts such as the epic film The Ten Commandments, the King Tut museum exhibit, writings from the Black arts movement, the U.S.-Iranian hostage crisis, and the 1990-1991 Gulf War. In each of these cases, McAlister demonstrates how representations of the Middle East have been a site of struggle over both the nature of U.S. foreign policy and the construction of race, religion, and gender within the United States. Truly interdisciplinary, this work will appeal to a wide audience as it illuminates the significant intersection of culture and politics that is at the heart of both nationalism and globalization.   [brief]
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52. cover
Title: Women without class: girls, race, and identity
Author: Bettie, Julie 1965-
Published: University of California Press,  2003
Subjects: Gender Studies | Women's Studies | Sociology | Chicano Studies | American Studies | Popular  Culture | Education | Anthropology | Social Problems | Immigration
Publisher's Description: In this examination of white and Mexican-American girls coming of age in California's Central Valley, Julie Bettie turns class theory on its head and offers new tools for understanding the ways in which class identity is constructed and, at times, fails to be constructed in relationship to color, ethnicity, gender, and sexuality. Documenting the categories of subculture and style that high school students use to explain class and racial/ethnic differences among themselves, Bettie depicts the complex identity performances of contemporary girls. The title, Women Without Class, refers at once to young working-class women who have little cultural capital to enable class mobility, to the fact that class analysis and social theory has remained insufficiently transformed by feminist and ethnic studies, and to the fact that some feminist analysis has itself been complicit in the failure to theorize women as class subjects. Bettie's research and analysis make a case for analytical and political attention to class, but not at the expense of attention to other axes of identity and social formations.   [brief]
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53. cover
Title: Iconography of power: Soviet political posters under Lenin and Stalin
Author: Bonnell, Victoria E
Published: University of California Press,  1998
Subjects: Sociology | Popular  Culture | European Studies | Russian and Eastern European Studies | Politics | Art Criticism | History | European History
Publisher's Description: Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them - relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia.   [brief]
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